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Leith Davis, Music, Postcolonialism, and Gender. The Construction of Irish National Identity, 1724–1874 (2006)
Music Postcolonialism Gender Leith Davis Irish National Identity
2009/10/16
Leith Davis, Music, Postcolonialism, and Gender. The Construction of Irish National Identity, 1724–1874 (2006)。
Addressing Issues of Ethnicity and Identity in Palliative Care Through Music Therapy Practice
Ethnicity Palliative Care Music Therapy Practice
2008/11/19
In preparing for their death, patients with terminal illnesses may express a need to explore and confirm their identity in terms of their familial, social, cultural and ethnic heritage. This paper exa...
“Music Therapy is Changing”and So Am I：Reconstructing the Identity of A Music Therapist
Music Therapy Music Therapist clinical examples community music therapists
2008/11/7
Identity is an important aspect for music therapists, both professionally and personally. This is a story of how one music therapist reconstructed his professional and personal identity, as a social c...
Drawing on qualitative analytic studies of improvising musicians this paper discusses ways in which the construction and representation of self-identity can be observed in improvisational practice. Fo...
The Role of Set-Class Identity in the Estimation of Chords Get the free RealPlayer to hear the audio examples
set-class trichord pentachord aural estimation chord categorization
2010/3/29
The study examined the role of set-class identity for the subjects' estimations of chords. Additionally, the study examined what factors other than the set-class identity were guiding the subjects' es...
Review of Adam Krims, Rap Music and the Poetics of Identity
hip-hop cultural studies pop music African-American music textural analysis Ice Cube
2010/3/29
[1] By the end of the 1960s, the coalition of forces involved in civil rights campaigning had dissolved: white liberals who were happy to call for voting rights and an end to de jure segregation blanc...
Identity and Influence: New Music Research at Wuhan Music Conservatory
theory reception new music Wuhan Music Conservatory
2010/3/29
[1] Following a whole decade of Cultural Revolution, the opening up of China in the late seventies brought about noted changes on the academic scene. Insofar as new music is concerned, the second half...
Theorists have struggled many decades to explain
the first simultaneity of the Prelude to Wagner's *Tristan
und Isolde.* An interpretation that seems to be widely
credited today equates the TC wit...