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Many studies have revealed shared music–language processing resources by finding an influence of music harmony manipulations on concurrent language processing. However, the nature of the shared resour...
Cook & Fujisawa (2006) point out that, contrary to the predictions of psychoacoustic models, the diminished triad is more consonant and prevalent in western tonal music than the augmented. A possibl...
In line with musical “common sense” (but contrary to the century-old tradition of musical psychophysics), we show that harmony is an inherently three-tone phenomenon. Previous attempts at explaining...

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