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Why Not Study Polytonal Psychophysics?
harmony psychophysics dissonance tension major mode minor mode
2010/9/26
The relative consonance/dissonance of 2-tone intervals is well
understood both experimentally and theoretically and provides a strong foundation for
explaining why diatonic scales or their subsets a...
Commentary on Cook & Fujisawa's "The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon"
harmony psychoacoustics consonance dissonance perception
2010/9/26
Cook & Fujisawa (2006) point out that, contrary to the predictions of
psychoacoustic models, the diminished triad is more consonant and prevalent in
western tonal music than the augmented. A possibl...
The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon
harmony psychophysics dissonance tension major mode minor mode
2010/9/26
In line with musical “common sense” (but contrary to the century-old
tradition of musical psychophysics), we show that harmony is an inherently three-tone
phenomenon. Previous attempts at explaining...