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"Pictures made of wool": The Gender of Labor at the Bauhaus Weaving Workshop (1919-23)
Pictures made of wool The Gender of Labor the Bauhaus Weaving Workshop
2009/11/27
In 1926, one year after the Bauhaus had moved to Dessau, the weaving workshop master Gunta Stölzl dismissed the earlier, Weimar period textiles, such as Hedwig Jungnik’s wall hanging from 1922, a...
'I wanted to be Rocky,but I also wanted to be his wife!':Heterosexuality and the (Re)construction of Gender in Female Film Audiences’ Consumption of Sylvester Stallone
Gender Heterosexuality Masculinity Femininity Film Audiences Female Audiences Hollywood
2009/11/27
This paper examines the degree to which the performance of gender is sustained and/or problematised through the triangular relationship between popular cinema, film audiences, and the social/cultural ...
Leith Davis, Music, Postcolonialism, and Gender. The Construction of Irish National Identity, 1724–1874 (2006)
Music Postcolonialism Gender Leith Davis Irish National Identity
2009/10/16
Leith Davis, Music, Postcolonialism, and Gender. The Construction of Irish National Identity, 1724–1874 (2006)。
Gender, Politics, and the Fighting Soldier’s Song in America during World War I
World War I America social role music
2008/11/21
The social role of music in violent conflicts is multifaceted. Both a vehicle for propaganda and an agent of comfort, music in wartime produces a complex web of pleasure, power, and identity. Here, I ...
Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem
popular music analysis voice gender race violence authenticity
2010/3/29
This paper studies alternative artist Tori Amos's cover versions of two original performances by Billie Holiday and Eminem. The narrative perspectives and musical structures of the original songs offe...