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When the Comité d'Histoire de la Deuxième Guerre Mondiale commissioned Alain Resnais to memorialize the concentration camps, they expected a newsreel-style film. But Resnais, who had been experimentin...
The Spectre in the Screen     the Spectre  the Screen       2009/11/27
Theories of spectatorship and cinema are nothing new. In fact, they abound. On the other hand, theories of spectatorship and animation are still rare. Rarer still are theories that implicate animation...
The “Ballet Russes” program at Boston Ballet struck me as a series of meditations on the primitive: how it flares up in the psyche and how it is integrated into civilization. “The Prodigal Son,” “Afte...
Surprising as it may seem, Boston is one of the principal venues of this year’s worldwide celebration of the centenary of the Ballets Russes. In an upcoming review I’ll be reporting on the many exhibi...

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