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Popular movies are spatiotemporal arrays of light and motion, but almost nothing is known about their distributions across whole films. Psychological research shows that the center of the screen is th...
Movie stars and film-makers as young as three are heading for the big screen, with their very own film festival at The University of Queensland.
Stuart Hanson's chronicle of a cinema exhibition trade persistently held back by the conservatism, lack of foresight and limited adaptability of its major operators amounts to such a damning indictmen...
An anthology containing articles published in Screen beginning around 1990, Queer Screen seeks to narrate the journal's own history within queer film studies, the discipline that emerged with B. Ruby ...
Who are the documentary audience? This paper presents research carried out between 2002 and 2007, in the UK, Netherlands, Spain and Austria, which aims to define this largely unstudied group. Evidence...
Despite a blossoming of scholarly interest in screen documentary, audience perspectives remain significantly under-researched. This article is part of an attempt to redress such a neglect. It draws on...
The Spectre in the Screen     the Spectre  the Screen       2009/11/27
Theories of spectatorship and cinema are nothing new. In fact, they abound. On the other hand, theories of spectatorship and animation are still rare. Rarer still are theories that implicate animation...
The Couch and the Silver Screen collects the contributions of the 2001 symposium organized by the Institute of Psychoanalysis in London on psychoanalysis and cinema, with the participation of analys...
The cinema has long reigned as the kinetic medium of the twentieth century. Early in its development it secured its privilege over the more traditional arts through its unprecedented control and manip...
As recently as a year or two ago many second-language teachers were in early stages of Web anxiety. We wondered how we could connect to the Web and, once there, what we could do with it. But as more o...
Cinematic adaptations of Shakespeare’s plays have been an important part of the history of cinema from its earliest days. The volume of research dealing with these adaptations is immense and keeps gr...
As is well known, the translation of Verbally Expressed Humour (VEH) is an especially thorny issue both practically and theoretically. This paper sets out to discuss the sphere of VEH on screen and ho...
Over the years, innovative and daring choreographers such as Hans van Manen, Glen Tetley and Anders Hellström have always managed to find groups of performers with sound technique able to articul...
Ibsen on screen     Asbjø  rn Aarseth  戏剧       2008/11/14
En god del endringer. Åpningsscenen i banken; de ansatte samlet. Den nylig ansatte banksjefen, Torvald Helmer, holder tale. Også ved en god del andre anledninger er scenen andre steder enn...
In her witty “life narrative” which moves from birth to old age, the narrator of Kate Grenville’s Lilian’s Story offers an idea of history that exists in a reinvention of personal and collective mem...

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