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Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
[1] Michael Cherlin’s new book fulfills two important functions admirably: it pulls together thirty years of research and analysis regarding Schoenberg’s music and writings from all periods of the com...
[1] Ethan Haimo’s recent study of Schoenberg’s music from the years 1899–1909 doesn’t present a tidy survey of the works from that era, but instead presents the reader with a critical thesis concernin...
Photo Paul Kolnik Music Piano Quartet No. 1 in G minor, Op. 25 (1861) by Johannes Brahms (orchestrated by Arnold Schoenberg, 1937) Choreography George Balanchine ...
Photo Paul Kolnik Music Variations for Orchestra, Op. 31 by Arnold Schoenberg, Arranged for Two Pianos by Charles Wourinen Choreography Richard Tanner Premi...
Photo Paul Kolnik Music Variations for Orchestra, Op. 31 (1928) by Arnold Schoenberg, arranged for two pianos by Charles Wuorinen Choreography Richard Tanner ...
Newly discovered recordings of Schoenberg conducting Pierrot lunaire open a window into the workshop of Arnold Schoenberg (the conductor) and Erika Stiedry-Wagner (who performed the Sprechstimme). The...
I present synthesized sound examples of several atonal expressionist excerpts to illustrate the effect of the altered octave as a sonority. Psychology, linguistics, and literature about 1900 suggest t...
The present paper constitutes an extension of an earlier article in this journal.(1) Building on the notion of musical worlding introduced in that essay, I explore Schoenberg's turn to atonality i...
Composers used the twelve-tone method in film scores from the 1950's and 60's. This essay, however, focuses on a much earlier work: Schoenberg's *Begleitungsmusik zu einer Lichtspielszene,* Op. ...

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